50th Annual Winter Juried Show
The Art Complex Museum
189 Alden Street, Duxbury, MA
December 18, 2022-March 18, 2023:
Viewing open Weds-Sun, 1-4pm
If you are interested in purchasing a piece please email info@duxburyart.org
Best in Show

BEST in SHOW, Vincent Crotty, Liscannor Twilight, Oil on Panel, 24X36, $2,800, County Clare
DAA Winter Juried Show 2023
December 18, 2022-March 18, 2023
Watercolor Awards

FIRST PLACE WATERCOLOR, Nan Rumpf, Geothermal Oasis, 21 X 28, $1,350, 2020

SECOND PLACE WATERCOLOR, Nancy Howell, Looking West, 21.5 X 29.5, SOLD

THIRD PLACE WATERCOLOR, Brenda L. Bechtel, Terrace Oasis, 37 x 28 framed, $8,600
Alternative Materials Awards

FIRST PLACE ALTERNATIVE MATERIALS, Stephanie Roberts-Camello, Labyrinth, Encaustic relief, suminagashi print, water soluble graphite. The last 2 years have been a journey that has felt like a maze. The patterns that I have used below the surface began as exercises to get my focus back after my sister died. This piece is about the pathways that shape a life. Times where we come out and face the world and times when we retreat. 22.25 x 21.5 x 2.75, $1,600

SECOND PLACE ALTERNATIVE MATERIALS, Jean Cummiskey, The Paramount, Boston, Italian smalti glass and millefiore, beads, and stained glass. Mixed media mosaic, 12x18in framed, $1,800

THIRD PLACE ALTERNATIVE MATERIALS, Becky Haletky, Mr Wedding Cake, Fabric on canvas, 36x46, $2,400
Photography Awards

FIRST PLACE PHOTOGRAPHY, Paul Murray , Havana Living #1, Color photography on archival paper. Many Cuban families live in very modest, multigenerational apartments in old buildings that are usually in need of significant repair. Framed, matted, signed, and numbered limited edition under museum-quality glass with a black wood frame. 23.5in H x 16in W Framed $595

SECOND PLACE PHOTOGRAPHY, Lawrence Asaro, Angel Oak, digital photographic print on metal, 20x30, $500

THIRD PLACE PHOTOGRAPHY, Kathleen Dunn, Self Reflection, black and white photo , 14 x14, $250
Painting Awards

FIRST PLACE PAINTING, Karie O'Donnell, Sarah Entangled, Oil on Panel. My first oil portrait. Daughter Sarah Rose, age 10, at the Family Farm in Vermont. 24in x 36in, NFS

SECOND PLACE PAINTING, Linda Hefner, New England Night, Acrylic on panel. Cold, clear, winter night after a snowstorm in New Hampshire . 12inx 12in SOLD

THIRD PLACE PAINTING, Jeremiah Eck, Vermont Morning, Oil on Linen, Jefferson, Vermont, 12x16, $2,800
Sculpture Awards

FIRST PLACE SCULPTURE, Derrick Te Paske, Deep Blue: Star Field, Stained elm, 2544 brass escutcheon pins turned hollow vessel. Title references the IBM computer and images from the Hubble telescope. With an applied grid of brass pins (only straight lines were marked; vessel drew the curves). 19 x 13 x 13 $4,250

SECOND PLACE SCULPTURE, Linda Hoffman, Meditation Pool, Bronze, 9.5 x 21 x 21, $5,600

THIRD PLACE SCULPTURE, Suzanne Stumpf, Rock My Galaxy, Porcelain, Multi-component, rearrangeable sculpture inspired by constellations in our galaxy. 20inw x 4inh x 14ind (as depicted; size can v $2,000
Drawing & Pastel Awards

FIRST PLACE DRAWING and PASTELS, Alexandra Leaver, Underwater Gathering, Ink on layered papers, 12 in x 12 in, $800

SECOND PLACE DRAWING and PASTELS, Jory Mason, Drive In Sunset, Soft pastel on sanded paper, 18x20, $850

THIRD PLACE DRAWING and PASTELS, Laurinda O'Connor, Fall's Approach, Pastel, 20x20 frame 16x16 image, $1,500
Virtual Gallery

Allison Krajcik, Spring Fury, Pastel on sanded paper, Close up view of a raging waterfall, 24inh x 29in w, $1,800

Anne Pingpank, Sunset at White Horse, Oil on canvas, 18x24, $700

Anne Vosikas, The Sentinels Under the Cover of Darkness, Soft pastel. That moment when the sun has set and the cloak of evening settles over all. 9in x 12in unframed, 14in x 18in framed, NFS

Barbara Fletcher, The World Weighs Heavy, Clay, Cement, driftwood, found objects, 5ft H x 20in W x 22in D, $5,000

Donna DeSantis , Eagle Hill Pond, Photography. Fog, mist and early sun over Eagle Hill Pond. 8X10 photo in 11X14 frame, $150

Charles Tamulynas, Winter Morning, Pastel, 20x24, $400

Donna Rossetti-Bailey, The Long View, Soft pastel on sanded paper, 18x24, $995

Christine Marohn, Green Doorway, Oil over vintage paper. Brown paper bags glowing in the light of an open door, ads from vintage art magazines are used to emphasize a subliminal call to create after years of working behind the scenes supporting my family, feeling a bit like a paper bag. 20x24 $950

Christy Gunnels, The Book Club, Oil on Panel. Three American Goldfinch perched on 3 Books discuss mythology, philosophy and Art, 12inx12in image. 12.5inx12.5in framed, SOLD

Dorothy Pilla, Tipping Point, Digital composite printed on aluminum, 18inh x 24inw, $475

Clark Graff, Morning in Head of Westport, Oil on panel. Houses on the town green catching the morning light. 17.5in x 22in, $4,500

Eileen Patten Oliver, End Of Season, Rockport, Maine, Oil on Ampersand Gessobord, 18in x 24in, $2,000

David Black, Excess, Photography. What is overstimulation? How does it affect our lives? Our saturated bodies and brains are being fed more information that they can actively process and it is hurting us. Exploring the dripping excesses in our busy lives such as screen time, religious and political issues, relationships and possessions often mean for many people, a good life is about more. Perhaps a good life is about less . . . 20 x 29, $700

Elizabeth Ryan, Night Foliage, Archival pigment print, 23.5in x 23.5in, $350

Dianne Panarelli Miller, Finding Paradise, Oil on Canvas, Ireland Countryside, 18 x 24 $2,400

Erica Sloan, Stowe Falls, Aluminum Print, 16x24, $445

Erika Stern, (No Such Thing As A)True Story Acrylic, Mixed media marks with collage elements, 48 x 48, $2,750

Erin Starr, Oceans Calling, Acrylic, ink, oil on linen, 30 x 30, $900

Grace Burr, The Awakening, Acrylic on canvas, 24x30, $6,000

Heidi Mayo, Angling I, Soft pastel on gouache underpainted UArt 500 paper, 18x24, $4,500

Hilary Bachelder, Dancing Trees, Archival Pigment Print. I captured four images of the same group of trees during two different snowstorms. I used both still and intentional camera movement techniques. In Photoshop, I arranged the images to give the illusion that the trees magically danced during a snowstorm. The final composite is dynamic--the trees seem to move across a two-dimensional space. 24 x 20, $450

Emmanuel Lusardi, Pair of California Greys, Acrylic on canvas. American Primitive folkart of two California Grey hen's enjoying life on their free range farm. 24in x 24in, SOLD

Hilary Hanson Bruel, Clark's Island XI, Encaustic with thread. This piece is part of a series of abstract landscapes representing the sun setting over the mainland and water as viewed from Clark's Island, a small island in Duxbury Bay. 18x24, $1,100

James Earl, Duxbury Estuary, Transparent Watercolor on Arches paper, 9in x 20in, $1,650

Jan McElhinny, L'accademia, Oil on linen, 36x36, $5,000

Jane Estella , Deco, Found Object Sculpture, 14H x 12W x 5D inches, $600

Janet Montecalvo, The Commuter, Oil on wood panel , 36inx 46in x 1.5in Approx. (framed), $5,800

Janice Gallinger, Tumbledown, Gouache , 21 x 25.5, $650

Jeffrey Weinstein, Fall In Vermont, Photographic print, 16x20, $400

John Picard , Jacobs Pond, Photographic print on Metal. On a January sunset this year I set out to film at Jacobs Pond. For some reason I forgot the fact it would be frozen over. I also didn't take into account that people would be skating. Using a technique of intentional camera movement I tried to explain through this picture the truly peaceful feeling it was to just stand there and take in this scene., 20x30, $400

Joreen Benbenek, Dockside Dories, Oil on canvas, 36inx36in, $3,400

Judy Laliberte, Deep Freeze, Color Photography printed on Red River Pro Luster paper, Frozen Quechee Dam, Quechee, VT, 24 x 18, $450

Karen Cass, Late Day Light, Oil on Canvas. Capturing the fleeting moment of the last glowing light of day over rocky surfaces and reflective water. 36 x 48in, $2,400

Katherine Follett, Sprague Farm, Oil on Arches oil paper. A retired local farm in Whitingham, VT . 21.5 x 29, $1,290

Kristine Brennen, Night Garden, Cherry plywood, oil based ink, Wood block relief print, 24x48, $2,800

Laura Tryon Jennings, Inner World, Oil on Linen. Our most vunerable place...angst, passion, daydream, dream, begin and end our days...our most authentic space. 36in x 24in, $4,600

Lissa Banks, Red Moon, Acrylic on canvas. This piece is the sixth in a series of nasturtium paintings. I like seeing them up close to understand their luminosity. 18in x 24in, $1,800

Lori Mehta, After Hours, Oil on Cradled board, 18x36, $5,700

Lynne Shackleton, Sentinel, Winter Street, Duxbury, Photographic inkjet print, 26 in wide x 18 in high, $450

Madeleine Lord, Directions Before GPS, Welded scrap steel, 59 x 26 x 18, $2,800

Mandy Fariello, Then a Fish Appeared, Vintage book pages, acrylic paint, magazines, coffee, 30x30, $650

Margaret Rosenbaum, Fractured Landscape #2, Ink, acrylic, gesso on paper. A reimagined landscape rendition from a drawing of a local harbor greatly altered by a severe winter storm which then threatened to flood the surrounding neighborhood. 11x14, $395

Marguerite Moore, Inner Harbor, Oil on Canvas, 21X21, $1,100

Marie Young, First I Wonder, Acrylic and collage on board, 10 x 8, $300

Marilyn Avery Turner, Mediterranean Blues, Litho ink and rice paper monotype/chine colle, 5 5/8 x 22in, $400

Marsha Gleason, Self-Portrait in Bucket Hat, Oil painting done from direct observation in the mirror. 20x16, $500

Mary Oleskiewicz, Milky Way at Death Valley, Color Photograph, 21x26.5, $700

MaryJo Beswick, Hope, Various papers, paint, collage, 18inx18in, $500

Maureen Spinale, Tree Spirits, Pastel, 31x31, $2,400

Nancy Colella, Sea Side Barn, Oil on board, 14 x 14, SOLD

Norman Graf, Puppy Love, Acrylic on board. Boy meets his first puppy. 16inx20in, NFS

P. Anthony Visco, Fishing Dragger Cheyanne, Watercolor on Paper, 33.5in W x 27.5in H Framed, $1,895

Pamela Redick Webster, Mossy Woodland, Acrylic on wood. This is an acrylic painting set in the solitude and stillness of the north woods. 20x20in, $1,600

Patricia Bossange, Pelican, Oil on panel, 20inx30in, $2,500

Richard Brady, Island Mist, Oil on linen. Mist surrounds an island of Cape Cod. Barely visible is the ship at sea. the Eel grass beneath the water is clearly visible with its movement. 36 x 50 inches, $18,000

Richard Greene, Water Lilies #4, Photography, 16x20, $395

Riley Hoff, Bernadett, Oil on Canvas, 16inx20in, SOLD

Ritu Singh, Flower (Cool), Alcohol Ink on Yupo, 11x14, $425

Robert Leaver, Vectors, Wood assembly, 30in X 36in, $750

Robert Miklos, Salt Marsh #1, Watercolor and colored pencil on Arches paper. Drawing study of a salt marsh on Nantucket, 18in x 18in, $550

Seth Marois, Picnic With Friends, Wood. A picnic table is one to be shared with friends. A communal table where we socialize, drink, eat etc. Starting in 2020 the simple act of meeting up to socialize, for many people, became challenging. By altering this table, I'm trying to isolate the user. Alone with walls. Disconnected. 32inx72inx24in, $1,200

Stacey Roberts, Perfect Pear, Acrylic on canvas, 48x60, $5,000

Susan Kerrigan, Truro Art Cottage, Pastel, 16x20, $500

Tricia Ford, Seashell Vase, Ceramic. My inspiration stems from my love of the ocean and my collection of shells. The color and shape of the vase captures a feeling of waves and sand. 8x14x4.5

Verne Orlosk, Scattered Thoughts, Fused Glass. The colors of Spring renewal start to be revealed with the addition of winter remainders in ice forms. Twigs and other detritus are able to hold on to both worlds. 12in x 23in, $2,200

Yale Nicolls, Canoes at Norumbega, Watercolor on Arches paper, 9.5 H x 15.75 W image size, $600